
Each day I would eat my packed lunch while I worked (which
I was told not to do), and then at my lunch break, I would run over to THE
DOOR and shoot a roll of film. I then
would go back to work and process my own film with the next batch. I then made work prints and processed those.
I used music from the same LP that I used for Daddy You Hit A Dog, and cut the film using tight shots of the sculpted panels, so that you saw the story but didn’t know the context of the panels. As the film progresses, I showed more and more of the door until at the very end of the film, you get to see the full door in all its glory.
© 2004 Alan Blangy All rights reserved. Unauthorized duplication is a violation of applicable laws.